There is this amazing Blake quote at the introduction of "The Posthuman Condition: Consciousness Beyond the Brain" by Robert Pepperell:
ALL Bibles or sacred codes have been the causes of the following Errors:
1. That Man has two real existing principles: Viz. a Body & a Soul.
2. That Energy, call’d Evil, is alone from the Body; & that Reason, call’d
Good, is alone from the Soul.
3. That God will torment Man in Eternity for following his Energies.
But the following Contraries to these are True:
1. Man has no Body distinct from his Soul; for that call’d Body is a portion of Soul discern’d by the five Senses, the chief inlets of Soul in this age.
2. Energy is the only life, and is from the Body; and Reason is the bound or
outward circumference of Energy.
3. Energy is Eternal Delight.
William Blake, The Marriage of Heaven and Hell, 1793
I love this. And Pepperell's text in general has encouraged me to start thinking (once again, after a few months of mind rest) about phenomenology and its application to the so-called "post-human" condition. The radical alterations taking place in our bodies and our relationship to our bodies (i.e. via technology) has brought us to an interesting place: only here can we really start to challenge the view of consciousness dilemma as purely cognitive/mind/brain-based. Losing control of our bodies (in a sense) has brought us back to them, which is lovely to me. Since reading Merleau-Ponty I've really started to think about the knowledge of the body. Or, maybe I've just started to articulate thoughts and feelings that have always been floating around.
--warning--huge shift in focus:
Other than that, I just bought this amazing vintage wrap dress from Purple Deer Vintage. Soooo Mad Men.
(Image propery of Purple Deer Vintage)
I've also watched five Bette Davis films in 24 hours. She is divine. Seems like there's two general categories of "classic" actresses, the Audrey Hepburn Marilyn Monroe variety, and the Lauren Bacall Bette Davis variety. Obviously I prefer the latter, but I still love Marilyn - she is so often cast in the stupidest, most ditsy roles. I feel pity for her but at the same I get filled with admiration. Because its got to take a pretty smart woman to pull off such a cliche of femininity. Does that make sense? Her performances reach such a height of silliness that I feel like she's in on the joke somehow, which makes her all the more charming. I have shitloads of pictures of actresses and actors on my computer, but the ones I love of Marilyn are the ones where she looks like she's been caught off guard (which is another fiction, but one I like to indulge).
Also have a huge crush on Monica Vitti since watching l'avventura last week.
I've also watched five Bette Davis films in 24 hours. She is divine. Seems like there's two general categories of "classic" actresses, the Audrey Hepburn Marilyn Monroe variety, and the Lauren Bacall Bette Davis variety. Obviously I prefer the latter, but I still love Marilyn - she is so often cast in the stupidest, most ditsy roles. I feel pity for her but at the same I get filled with admiration. Because its got to take a pretty smart woman to pull off such a cliche of femininity. Does that make sense? Her performances reach such a height of silliness that I feel like she's in on the joke somehow, which makes her all the more charming. I have shitloads of pictures of actresses and actors on my computer, but the ones I love of Marilyn are the ones where she looks like she's been caught off guard (which is another fiction, but one I like to indulge).
Also have a huge crush on Monica Vitti since watching l'avventura last week.
Vitti is the sex.
ReplyDeleteMonroe was an awesome comic talent. Her films with Wilder proved that.