unattainable x-mas wish-list.

Vintage typewriter. This is Hemingway's old Royal.


Babuskha dolls.

Schiele prints.

New Zizek.

This broad's cigarette holder/life.

Think think think think.

Still wet around the edges, you enter the subway station. Pavement saturated-blue. The day is still heavy with moisture. Recesses are not the same as alcoves. Mirrors are not the same as windows. Street chaos is accompanied by loud music. One strand of your hair tucked into the folds of my scarf. Most parts of your body are long and angular. Loose threads against my face startle. Text messages rolled back and forth. "Again and again there comes a time in history when a man who dares to say that two and two make four is punished with death. And the question is not one of knowing what punishment or reward attends the making of this calculation. The question is that of knowing whether two and two do make four." (That is Camus, it is important to cite your sources, that way you know I am well-read and form connections, that way, you can say: "yes") I am ashamed.
The exhalation when we braced ourselves for the waves. The sour gulp inward, the sting at the back of the throat. Panicked re-emergence. The sand gathered in the crotch of your fluorescent bathing suit. Dead seagulls with their eyes picked out, half buried. Cold nipples at dusk. Fish skeletons draped against driftwood delicate like nail clippings. Back and forth. Can I enjoy poetry without exegesis. Can I enjoy your body with my eyes closed. Can I lick your inner thighs?
The man in a well-tailored tweed suit lowers his paper looks up and licks his left thumb. People's reflections are looking at your reflection in the black train windows. Back and forth.
I can't resist syllogisms, I can resist. Back and forth.


sleep and sleep and sleep.

yikes. whiskey drunk. angry at new people. new gossip, the same old patterns of my past repeated in other faces equally forgettable. language poets. silliman. bits of Whitman. conflict-resolution. not wanting to relinquish the signified. the fascination with the signifier reflects historical materialism, which, as a metaphor, is a contradiction. existentialism overview. ayer intercepting tyson via naomi watts. blisters on three fingers from burns on different days. imagining professors sleeping, shaving, feeding children, straightening ties; the face softens or hardens in routine. early morning subway ennui. needing your body when i least expect it. I intercepting objectivity, intercepting the fatigue of the signifier. a warm plate of onion rings balanced on my thighs. broken glass in four places. the grand inquisitor. stale glasses of lukewarm water to dip fingers into. leaving pill bottles untouched. periphery. circumference. social anxiety disorder. waning flirtations. would you name your child fyodor. defamiliarization is the birth of love. stray hairs on water-stained wine glasses. social interaction as self-discipline. loss of blood flow in bent legs. catching your eyes on her. dream machine. dylan's face is in his hands. tom waits is on the subway. language is a performance. i want your brain to explode all over me.


Love this. Burroughs and his cats.

sorry in advance.

November does good/bad things for me. Something shifts and my perspective is re-oriented. Consistently over the past five years my motivation to do school completely diminishes at this time. I have zero motivation to read philosophy or wrestle with issues in papers right now. And I don't really care about it either. Bad timing, though. Keeping things in perspective is good. Sometimes I realize that regardless of what I do to fuck up my life, even if I went on hiatus for a month or so, nothing would be ruined in the slightest, any damage due to dismissed papers, missed classes, forgotten phone calls can be undone pretty quickly. Recognizing the great insignificance of my life and problems is very liberating.
New lovers are so fun, everything dims except that. Just when I think I'm getting too jaded about people I meet someone who is easy to get along with, comfortable as fuck, and generally on my wavelength. So fucking refreshing. My inability to concentrate is probably a result of good vibe endorphins that make me feel like dancing or fucking at all times. I pretty much want sex all the time but the dancing is a new development. Its more like a pent up physical energy that usually expresses itself in one of those two outlets.
I really like this photographer, found via Garance. His site is here. His photos incite wanderlust and that wonderful feeling in the pit of my stomach in response to beautiful things found on screens, through headphones, behind windows or in my hands. I really like the latest post at Ani Smith's blog, I really like Ani Smith in general, I really like this photo of Alain Delon, I really like the new the Big Pink album. Here is a poem at read some words that I wrote a long time ago, I like it, although I think it is very simple, which is not necessarily a bad thing but I feel self-conscious.

I really really want to live in that house. Serious. When I was a kid I used to write super long stories and epic naive love stories about people living in abandoned houses on misty cliffs against water. I like reading those stories, I nod in agreement and approval of my former self. I drew portraits of the characters to go along with the narrative, and, later, I drew floorplans and detailed interiors of the houses I described. There are certain themes and images that still hit me in the same ways. Which makes me feel a sense of continuity of self, a uniformity- recognizing similarities between my 10-year-old self and now. I wonder why certain images stick with certain people. As in, what is the root of that influence, the tugging that happens when different people see different images with a particular vibe. I wonder if its connected to dreams at all. I wonder if its genetic . If I asked my sister, 'do you feel this way when you look at this' I wonder if she would understand at all. I know she wouldn't.

I love love love the texture and the colours in this photograph. Sometimes I save photos to my computer not because of content or composition but just because of the colour combinations.